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“(Cheerful serenity) is

the secret of beauty and the

real substance of all art. The

poet who praises the

splendors and terrors of life

in the dance-measures of his

verse, the musician who

sounds them in a pure,

eternal present - these are

bringers of light, increasers

of joy and brightness on

earth, even if they lead us

first through tears and

stress.”

- Herman Hesse - The Glass Bead Game





Joseph Knecht, the protagonist of The Glass Bead Game, is talking about this cheerful serenity after a meeting with his old teacher and friend who emanates and envelops him in (t)his serenity. Such cheerfulness, writes Hesse, is neither frivolity nor complacency; it is supreme insight and love, affirmation of all reality, alertness on the brink of all depths and abysses; it is indestructible and only increases with age and nearness to death…





A wise friend once told me that a sense of humor is always one of the characteristics of an enlightened person. A lightness in being, without losing reverence. Cheerful serenity. Of course, it is a very very serious business this living business we are involved in; however, it is ALSO quite the cosmic joke. Honoring the mystery, with a smile. Without the smile, we actually aren’t doing honor to it; just the smile, and it evaporates. It is glory, jest and riddle, as Alexander Pope writes. I’ve always loved that.




The photos are from a hidden little church in The Hague. I’m not sure about the cheerfulness, but the beauty and serenity enveloped me completely as I walked in and it (and I) was carried in a particular lightness. Ease and serenity; light reverence.

Maybe that is enough for a cheerful and lightly serene conversation between the church - or my experience in this church -and Knecht’s encounter with cheerful serenity. A very particular feeling, or atmosphere, not just beholden to people, but, so it appears, to places as well.



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  • 1 min read

the light of…


June 26th 2023, 19:31u


June 25th, 20:03u - an echo, perhaps a dinosaur, maybe both.



June 25th, 20:02






Some additions to my last newsletter, which dealt in freedom. First up, Mac Miller:


Livin' needs no reason, just like seasons, they keep changin'

Have you seen the people's faces when you take away their pain?

That shit is prettier than any picture Monet could've painted

From Pure, this beautiful song by Mac Miller:




Have you seen the people's faces when you take away their pain?

That shit is prettier than any picture Monet could've painted


Take away someone’s pain, the weight is lifted, the face opens up, and they are beautiful. There is so much pain!


This echoes Nina Simone, who says:


I wish I could break all the chains that are still binding me.

I wish I could say all the things that I can say when I’m relaxed

Such a simple way of describing freedom, so relatable. And:

I wish I could share all the love that’s in my heart


Another beautiful way of understanding freedom. If we are free from fear, love will flow. It’s already there!


Freedom as absence of fear; no fear about whatever may come, no fear from whatever was. Then, relaxed, you can say what you have to say, and share your love that is there, AND, your pain taken away, you’re now prettier than any picture Monet could’ve painted! This is a great deal!

A last text, mirroring and adding to my last letter:


From, Guide for the perplexed, by E.F. Schumacher:

What is good and what is bad? What is virtuous and what is evil? It all depends on our faith. Taking our bearings from the four Great Truths discussed in this book, and studying the interconnections between these four landmarks, we do not find it difficult to discern what constitutes the true progress of a human begin:


His first task is to learn from society and ‘tradition’ and to find his temporary happiness in receiving directions from outside.

His second task is to interiorise the knowledge he has gained, sift it, sort it out, keep the good and jettison the bad; this process may be called ‘individuation’, becoming self-directed.

His third task is one that he cannot tackle until he has accomplished the first two, and for which he needs the very best help he can possibly find: it is ‘dying’ to oneself, to one’s likes and dislikes, to all one’s egocentric preoccupations. To the extent that he succeeds in this, he ceases to be directed from outside, and he also ceases to be self-directed. He has gained freedom, or, one might say, he is then God-directed. If he is a Christian, that is precisely what he would hope to be able to say.

To me, this is closely related to what I quoted from Earthsea in the letter:


You thought, as a boy, that a mage is one who can do anything. So I thought, once. So did we all. And the truth is that as a man’s real power grows and his knowledge widens, ever the way he can follow grows narrower; until at last he chooses nothing, but does only and wholly what he must do…

To close, some words from the Tao Te Ching; an eternal text that has greatly influenced Ursula Le Guinn, the writer of Earthsea:


True mastery can be gained

by letting thing go their own way.

It can’t be gained by interfering.




-


extra’s:


Mac Miller Pure sample is from the RY X song ‘Berlin’:



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